In pictures: Shetland, its people and culture at turn of 20th Century

News imageShetland Museum & Archives Four young men dressed in work wear, posed in front of the camera. They are wearing flat caps, shirts and aprons. Shetland Museum & Archives
John D Ratter's work includes this photo of four young coopers

A pioneering photographer who captured Shetland's landscape, people and traditions at the turn of the 20th Century is being celebrated in a new exhibition marking 150 years since his birth.

A Time to Keepat Shetland Museum & Archives brings together some of John D Rattar's most well-known images alongside lesser-known pieces, offering a glimpse into the explorer and storyteller behind the camera.

Born in the north mainland of Shetland in 1876, Rattar's early life was shaped by loss when his father died at sea just eight weeks after his birth.

He was raised by his mother and he began his working life as an apprentice joiner before developing photography as a passion.

News imageShetland Museum and Archives Photographer John D Ratter standing next to an old-fashioned black car that has a small boat strapped to the top. He is well dressed with suit trousers, a vest and shirt. He is wearing a flat cap. Shetland Museum and Archives
Rattar with a car and a dinghy

Entirely self-taught and working with modest equipment during an era when photography was a challenging and evolving craft, Rattar went on to become one of Shetland's most respected photographers.

He created more than 3,400 glass negatives capturing the late 19th Century - when Queen Victoria was on the throne - through to the 1950s.

The negatives are now preserved in the museum's collection.

News imageShetland Museum & Archives A young boy and his mother standing in a closs, with their washing and a fair isle tunic jumper drying on a board.Shetland Museum & Archives
Charlie Williamson and his mother Barbara in Greig's Closs, with their washing and a fair isle tunic jumper drying on a board
News imageShetland Museum & Archives A young mother with four children - two young boys in black standing beside her and two girls sitting on her lap dressed in white. Shetland Museum & Archives
A woman with two boys and infant twins

Over the course of his career, Rattar documented all aspects of island life, from fishing stations to crofting, textiles, children at play and historic events.

He also captured candid portraits, dramatic shipwrecks, wartime scenes and wildlife.

Rattar's dedication to his craft often took him far beyond the beaten path.

He would climb almost inaccessible cliff edges to photograph birds' nests and travelled by boat into remote caves, capturing parts of Shetland that many people would never otherwise have seen.

News imageShetland Museum & Archives A busy harbour in Lerwick Shetland in the 1920's. Dozens of drifters are docked. Shetland Museum & Archives
Drifters at the Esplanade in Lerwick, Shetland
News imageShetland Museum & Archives A sea cave and underground sea passage, known as Kirstan’s Holl, faces the Atlantic on the southwest coast of Papa Stour. Shetland Museum & Archives
A sea cave at Holl off the southwest coast of Papa Stour
News imageShetland Museum & Archives An eider duck nest made with dry grass. It has 5 large eggs in it. Shetland Museum & Archives
An eider duck nest made with dry grass

"His photographs reveal both technical skill and a deep affection for the islands, preserving moments of everyday life, changing landscapes and traditional ways of living," said Karen Clubb, exhibitions officer at Shetland Museum and Archives.

"He was documenting life in Shetland when few others were doing so.

"His images feel natural and unposed, and in many ways he was ahead of his time."

News imageShetland Museum & Archives An elderly man posing for a portrait. He is wearing a fair isle jumper and hat, and is smoking a pipe. Shetland Museum & Archives
Johnnie Jamieson, an Unst fisherman

Shetland Museum's senior curator of collections, Carol Christiansen, said: "Ratter was operating at so many different levels.

"One day he might be photographing a tiny newly hatched bird or a nest of eggs, and the next he would be documenting a bomb crater or a shipwreck.

"He was an explorer of Shetland in every sense - geographically, culturally and artistically.

"He noticed something special about these islands and their people and preserved it with extraordinary sensitivity."

News imageShetland Museum & Archives A man and a woman winnowing corn, using a sail as a work service to collect the grain. A sack of grain sits alongside an empty basket to take the harvest home. Shetland Museum & Archives
Williamina Leask and William Irvine winnow corn, using a sail as a work surface to collect the grain