Charity arts centre refurbishment completed

Tom MacDougallNorth East and Cumbria
News imageKirkgate Centre The performance space of the Kirkgate Centre after the improvements, which include new LED stage lights. A band is performing on the stage in front of an audience filling the room, sitting around circular tables. On the walls either side of the room are dimmed, atmospheric lights and decorative veils.Kirkgate Centre
Improvements to the Kirkgate Centre in Cockermouth have been completed

Work to refurbish a charity's arts and heritage centre has been completed.

About £300k has been spent upgrading facilities and equipment at the Kirkgate Centre in Cockermouth, with most of the funding coming from Arts Council England.

Improvements made during the 18-month project included new stage lights and audio equipment for performances hosted in the space.

Chief executive Emma Heys said: "This is a significant milestone for the Kirkgate."

"We're incredibly grateful to all the funders who've played such a significant role in helping us bring the facilities within our much-loved, but very old building up to 21st Century standards and contribute to a bright future," she said.

It was also funded by grants from the Benny Walker Charitable Trust and the Rural England Prosperity Fund, managed by Cumberland Council.

News imageKirkgate Centre The interior of the Victorian building - which has a high, arched ceiling with visible wooden beams - during the project. Scaffolding reaches to the roof and people can be seen working.Kirkgate Centre
The space, based in a former Victorian school, was upgraded with £300k of funding

The charity has improved accessibility to the building - a former Victorian primary school - with a refurbished lift and new disabled bathroom.

Lighting has also been upgraded in its downstairs bar, which Heys said would provide "crisp and bright lighting for exhibitions, as well as subtle mood lighting for more intimate events and parties".

Operations manager Katie Gentry said some of the charity's equipment before the upgrade had been "lacking".

She said younger volunteers had been "keen" to learn how to use the new equipment, for which they were receiving training.

"Everyone's been feeling the pinch of the financial situation we're in, and it's amazing we're still here when so many venues have closed," she said.

"But it's really important to give artists a place to share their work and for local communities to have somewhere to see performances on the doorstep - you don't have to get a train down to Manchester."

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