Schoolboys' 1850s copy of Bayeux Tapestry restored

News imageBBC/Jim Scott Keith Merin, a tall man with short, grey hair who wears glasses. He is standing next to Don O'Meara, a man with short, grey hair who has a ginger stubble beard. Behind them is a copy of the Bayeux Tapestry, depicting a scene from the French conquest of England in 1066. Although it is a drawing, the actual details are strikingly similar - if not bordering on identical - to the original. The paper itself, presented behind a glass screen under dim lighting, is yellowed and slightly weathered at the edges.BBC/Jim Scott
Great North Museum director Keith Merin (right) and Society of Antiquaries president Don O'Meara were pleased to see the copy on display

A drawing copy of the Bayeux Tapestry, created in almost the same scale more than 170 years ago, has been restored and put on display.

The replica, based on the embroidered depiction of the French invasion and eventual conquest of England in 1066, is now being displayed at the Great North Museum in Newcastle.

The artefact was commissioned by a teacher named John Collingwood Bruce and created by schoolboys at his school, Percy Street Academy in Newcastle, in the early 1850s.

The item had been held in storage until recently, when the museum decided to restore it after the original went on public display in the UK for the very first time.

Museum director Keith Merrin said: "It's fantastic to have it back in the UK and many tens of thousands are visiting that, but it's also a brilliant opportunity for us to join in."

News imageBBC/Jim Scott Another scene from the copy of the tapestry. Men are rowing a long narrowboat. The tapestry is captioned in latin, and there is one word immediately visible: "Navigavit". Above and below the scene are borders which run the length of the entire document, decorative in nature - in this section, depictions of animals are in them.BBC/Jim Scott
The copy was drawn by schoolboys at Percy Street Academy in Newcastle in the 1850s

The copy, which he called the "Geordie Tapestry", had sustained "some damage" in storage and had to be repaired, he said.

"There are so many treasures in the North East hidden away, often we don't have the space, time, or money to bring them out - so people have been really excited."

The replica is actually slightly larger scale, being 5m (16ft) longer than the original, which is 70m (230ft) long and about half a metre high (1.7ft).

In 1884, it was donated to the Society of Antiquaries of Newcastle, but was not discovered again until the early 1990s.

It also differs slightly by following the conventions of other Victorian copies of the tapestry by censoring up to 94 penises present in the original.

The exact count is up for debate, owed to discussions around whether a particular artefact is a daggar scabbard or phallic depiction.

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